Adam (2008 novel)

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Christian fiction” is a problematic term, for it raises the danger of literature becoming preachy rather than being good art. Good fiction does not tell; it shows. Didactic fiction is usually poorly written, as the overrated Uncle Tom’s Cabin reveals. There are writers in the Christian fiction genre who write very well–Frank Peretti and Ted Dekker immediately come to mind. They get their message across without being preachy, they have read widely in contemporary mainstream fiction, and they have worked hard on the craft of writing. When I look through fiction at a Christian bookstore, I turn to the first page, then a few random pages, to check the quality of the writing. Most of the time, it is so bad that I have to put the book down. Some books are preachy. Others have dialogue so unrealistic that it strains credulity. Dialogue tags are misused: “He said excitedly”; “She shouted angrily.” This is an elementary mistake that novice writers often make. Adjectives and adverbs are overused. H. P. Lovecraft had the skill to get away with using a plethora of adjectives; most writers do not. Modifiers should never replace images.

On the other hand, some books are so conservatively edited that they come across as stiff. Good style in a novel is not the same as good style in an academic piece, and not all authors or editors understand this. It is obvious that some Christian writers, and most likely some editors, are unfamiliar with contemporary literary fiction. They should read classic modern authors such as Hemingway as well as more contemporary authors such as Raymond Carver or Tobias Wolff. A good writer knows the basic rules of writing, but also knows when to break the rules. If Christian fiction is ever to rise to a higher literary level, writers should become skilled enough to know when to break the rules and when to abide by them.

The main temptation for the Christian writer remains didacticism–preachiness. It might be a better strategy for traditional Christians involved in writing to write “mainstream fiction” and show their world view, rather than preach it. Ted Dekker’s fiction, though more suspense than so-called “literary” fiction, has broken through the mainstream market due to its excellent quality. I have heard people who would never darken the door of a church praise Dekker’s fiction. Who knows? Perhaps Dekker’s books, by showing rather than telling, can do more to communicate the Christian message than a didactic work. Flannery O’Connor once said that the Christian message can only be communicated indirectly for modern secular people to understand it. Perhaps contemporary writers in the Christian genre can take her advice.

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